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The Glass Menagerie

The Glass Menagerie

Product Type: Book

Product Price: $10.95

Manufacturer: New Directions

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Description

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie. Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by prominent Williams scholar Robert Bray, editor of The Tennessee Williams Annual Review, reappraises the play more than half a century after it won the New York Drama Critics Circle Award: "More than fifty years after telling his story of a family whose lives form a triangle of quiet desperation, Williams's mellifluous voice still resonates deeply and universally." This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." The cover features the classic line drawing by Alvin Lustig, originally done for the 1949 New Directions edition.

Reviews

Rating: 5 / 5
Date: 2010-08-15
Summary: "Thanks!"

Fast service and book was just as described. Thank you so much...I really appreciate it!


Rating: 1 / 5
Date: 2010-07-03
Summary: "A play from a failed writer"

The book, or at least my copy of it, begins by talking about Tennessee Williams' life as a failed writer before he started writing this play. I probably should have put it down then and there; the play unfolds to be exactly that, the work of a man who never should have been a writer. Williams really needed to learn how to show, not tell. It seems to be one of the most obvious and avoidable pitfalls, but this author fell for it so badly it ruins the play. For example, the play begins with a character, the narrator, talking about the play's meaning and giving the audience background. This is something that should obviously be done through the story, and not through direct explanation, and this theme returns in just about every scene. I'd stay away from this book if I were you.


Rating: 5 / 5
Date: 2010-03-13
Summary: "One of my favorite plays to teach!"

I love The Glass Menagerie, and love teaching it, as well. The characters are so unrealistic, but so clearly defined. Read it - and the rest of Tennessee Williams, as well!


Rating: 5 / 5
Date: 2009-12-09
Summary: "The Glass Menagerie"

The script was in excellent condition and it was received quickly. And the price was fantastic as well. Terrific! Thank you!


Rating: 5 / 5
Date: 2009-11-08
Summary: "The Lives We Shatter"

Most people have great difficulty grasping the themes, much less deciphering the symbolism and foreshadowing, embedded within great literature from "A Separate Peace" and "Catcher in the Rye" to "The Glass Menagerie." Each of these examples is an exemplary piece of art, but if for no other reason than the prolific nature of Tennessee Williams' calling compared to that of the other two authors, "Menagerie" deserves a special place on the mantle of top-notch reads -- not only literary but true brilliance with ink on mere pages of paper.
Some assign responsibility for the family's well-being on Tom's shoulders when all he longs for is a life of his own and at last arranges to flee his hellish world, aptly, via the fire escape -- whether it ends up going as he expects or not -- thereby "devastating" the others. Nonsense! Williams' ultimate points were two. The first was that Thoreau was right (in Williams' own depressed worldview) when he wrote in "Walden":
"The mass of men lead lives of quiet
desperation. What is called resignation
is confirmed desperation."
The second, which was quite a paradox to Tom's generally perceived as selfish desertion of the family, was that we all make our own lives. Tom simply chose to make his.